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Masters of Korean Cinema: From Parasite to Busan

Bong Joon Ho's Parasite and his Hollywood turn Mickey 17, Park Chan-wook from Oldboy to No Other Choice, Na Hong-jin's Hope after ten years, novelist-turned-director Lee Chang-dong, and finally the Busan International Film Festival.

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This course starts with Parasite, moves through director Bong Joon Ho and his Hollywood film Mickey 17, Park Chan-wook from Oldboy to his new film No Other Choice, Na Hong-jin's Hope after a ten-year gap, novelist-turned-director Lee Chang-dong, and ends at the Busan International Film Festival where these directors converge. A deep-dive course pairing each director's landmark film with recent work.

  1. 1ParasiteFilmThe starting point is Parasite, the Academy Best Picture winner that raises the question of how Korean film reached the world stage.
  2. 2Bong Joon HoSutradaraOn to Bong Joon Ho, the director behind Parasite — from the Cannes Palme d'Or to four Academy Awards in one year.
  3. 3Mickey 17FilmTo Mickey 17, Bong's Hollywood feature — what changes and what stays the same when a Korean director makes an English-language blockbuster.
  4. 4OldboyFilmCrossing to another master: Oldboy (2003), the film that put Park Chan-wook's name on the world map.
  5. 5Park Chan-wookSutradaraTo Park Chan-wook himself, and his style of blending crime and thriller with other genres.
  6. 6No Other ChoiceFilmOnward to No Other Choice, Park's new film — more than twenty years after Oldboy, what the same director is making now.
  7. 7HopeFilmTo a third master: Hope, Na Hong-jin's 2026 film after a ten-year gap.
  8. 8Na Hong-jinSutradaraTo Na Hong-jin himself, and his approach to violent thriller and horror elements.
  9. 9Lee Chang-dongSutradaraTo novelist-turned-director Lee Chang-dong, whose film Burning became the first Korean film on the Academy's final nine-title shortlist for Best Foreign Language Film.
  10. 10Festival Film Internasional BusanPenghargaan & festivalThe course ends at the Busan International Film Festival, one of Asia's largest film festivals, where the directors just covered converge each autumn.

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